Ford GT40 Half Tone Flat Bed Editions

Ford GT40 Half Tone Flat Bed Editions

In addition to the Limited Editions in this collection, one off and short run Half Tone Flat Bed Prints can be created at very large sizes up to a maximum 8 x 4 feet - 2.4 x 1.2 metres.

One of the most iconic racing cars of all time, the Ford GT40 was born out of motorsport’s most infamous grudge. After failing to secure possession of Enzo Ferrari’s much celebrated company, Henry Ford II returned to America empty-handed and declared his desire to crush Ferrari at Le Mans. The result was a car that was to defeat all before it.

Produced for five years between 1964-69, the development of the GT40 was particularly improvised. Despite their tremendous wealth and production capability, Ford as an organisation had precious little racing expertise. Ford negotiated a deal with UK-based Lola Cars owner and chief designer Eric Broadley and dispatched British engineer Roy Lunn back to the UK to take a key role in the project. Overseen by American designer Harley Copp, the team of Broadley, Lunn and ex-Aston Martin team boss John Wyer began working on the new car at the Lola Factory in Bromley. At the end of 1963, the team moved to Slough, at the newly established Ford Advanced Vehicles HQ, under the direction of Wyer. Bruce McLaren, of McLaren Automotive, was hired to evaluate a prototype in August 1963 and then work progressed swiftly, though it was barely finished in time for its unveiling. The first GT40, the GT/101 (the “GT40” moniker came later and was taken from the car’s height: it stood at 40 inches tall at the top of the windscreen), was revealed in England on 1 April 1964 and soon after exhibited in New York. Purchase price of the completed car for competition use was £5,200 (or £103k in today’s money).

Le Mans testing a few weeks later revealed severe instability issues at high speed; the GT40 could do 200mph (321km/h) but wanted to get airborne above 170mph (273km/h). It’s first outings at the Nürburgring, Le Mans and Reims, despite its incredible reputation, were all DNFs. By the end of the year, Wyer, though still building GT40s, handed the job of racing them to the legendary American ex-racer Carroll Shelby. Shelby replaced the 4.2L engine with a 7.0L beast that he already used to great effect in the Cobra, matched to a new ZF transmission. Armed with its new power unit, the GT40 scored its first win at Daytona 1965 before claiming second place at Sebring. Le Mans, though, was a disaster, with all five entries failing to finish due to mechanical issues.

1966 marked the beginning of the GT40 legend. A 1-2-3 victory at Daytona was quickly followed by another victory at Sebring. However, it was the Le Mans crown that Ford coveted. Ford assembled an army for the race that year: nine cars, over 100 personnel with 21 tonnes of spare parts. Ford defeated Ferrari in style, dominating the podium with the top three finishers and becoming the first American manufacturer to emerge victorious at Le Mans. Le Mans wins followed for the GT40 for three more years, establishing the GT40 as one of the most iconic race cars of all time. Ferrari have not won at Le Mans since.

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福特 GT40 - 150厘米半色调平版印刷品 - 侧面视图

福特 GT40 - 150厘米半色调平版印刷品 - 侧面视图

限量25幅宽1.5米(59英寸)高1米(39英寸)采用Alan Thornton为Amalgam 1:8比例福特GT40汽车模型拍摄的照片创作而成拉丝铝复合板半色调平版印刷紫外线固化油墨,可以直接且优雅地悬挂,无需框架或玻璃可应要求提供定制尺寸,最大可达 8 x 4 英尺(2.4 x 1.2 米),可授权委托。C由英国艺术家和摄影师 Alan Thornton创作 这幅印刷品将从英国发货。进口至英国以外地区可能需要缴纳当地关税和税费。购买这幅作品即表示您同意和许可Alan Thornton使用您的信息,用于履行您的订单。 福特GT40是有史以来最具标志性的赛车之一,它的诞生出自赛车界最臭名昭著的怨恨,亨利·福特二世在未能获得法拉利的公司所有权后两手空空回到美国,并宣布他希望在勒芒赛场粉碎法拉利。结果造就了这款完全实现福特期望的汽车。经过几年短暂而失败的开发,1966年的到来标志GT40传奇的开始。在代托纳的1-2-3场胜利之后很快又在赛百灵取得了另一场胜利。然而,福特觊觎的却是勒芒皇冠。福特为那一年的比赛集结了一支大军:9辆车,100多名人员和21吨的备件。福特击败了法拉利,与前三名完成比赛的车手包揽了领奖台,并成为第一个在勒芒取得胜利的美国制造商。GT40在接下来的三年里赢得了勒芒冠军,使GT40成为有史以来最具标志性的赛车之一。从那以后,法拉利就再也没有赢得过勒芒的冠军。 Amalgam与Alan Thornton 我们很高兴能与艺术家Alan Thornton合作,推出一系列染料转印版画。这些印刷品的本质是精确性和工艺性,将主体分离出来,再将图像平铺在艾伦标志性的金属背景上,让观众将目光聚焦在标志性汽车和飞机雕塑般的有机特质上。Alan对形式、功能和美感的痴迷,加上他对汽车和机械的持久热情,与 Amalgam 的使命不谋而合。 丝网印刷的工艺流程 Alan的半色调艺术作品是一种通过使用网点来模拟连续色调图像的复印技术,从而产生梯度般的渐变效果。他将传统的丝网印刷方法带入了当代数字世界。将墨水直接喷在拉丝铝复合面板上,然后通过紫外线将其固化在基材表面,从而形成一件耐腐蚀、持久耐用的艺术品,甚至可以在户外展览中展出。这种方法开辟了无数种方式,通过多层构建图像来增加纹理和深度,非常类似丝网印刷过程。完成的图像防水且耐磨,因此无需加装玻璃层来保护艺术品。这件作品可以在没有框架的情况下悬挂在离墙不到一英寸(15毫米)的地方,形成一种清晰而简约的艺术呈现。如果需要的话,这件作品也可以采用传统的框架和悬挂方式。Alan在这种媒介中的作品为完成的艺术带来了非凡的精度、强度和魅力。 装裱您的印刷版画 半色调平版印刷版画的背面附有子框架,挂在墙上可立即产生 "浮动 "效果。成品图像防水且非常耐磨,因此无需加装玻璃来保护艺术品。 福特GT40的半色调平版印刷版画版画侧视图版本仅限量25幅,并将按订单印制。不含画框。购买这幅作品即表示您同意和许可Alan Thornton使用您的信息,用于履行您的订单。

£3,604.17 GBP