• Limited to 25 prints
• Measures 1.5m (59 inches) wide by 1m (39 inches) tall
• Created from photography shot by Alan Thornton of the Amalgam Collection 1:8 scale model of Ford GT40 
• Half Tone Flat Bed on brushed aluminium composite panel
• UV cured inks, can be hung directly and elegantly without frame or glass
• Custom sizes can be accommodated on request up to a maximum of 8 x 4 feet (2.4 x 1.2 metres) POA
• Created by artist and photographer Alan Thornton

This print will be delivered from the UK. Local duties and taxes may be applicable on import to regions outside the UK. By purchasing this title, you agree and consent to your information being shared with Alan Thornton for use in the fulfilment of your order.

One of the most iconic racing cars of all time, the Ford GT40 was born out of motorsport’s most infamous grudge. After failing to secure possession of Enzo Ferrari’s much celebrated company, Henry Ford II returned to America empty-handed and declared his desire to crush Ferrari at Le Mans. The result was a car that was to defeat all before it. After a couple of years of improvised and particularly unsuccessful development, 1966 marked the beginning of the GT40 legend. A 1-2-3 victory at Daytona was quickly followed by another victory at Sebring. However, it was the Le Mans crown that Ford coveted. Ford assembled an army for the race that year: nine cars, over 100 personnel with 21 tonnes of spare parts. Ford defeated Ferrari in style, dominating the podium with the top three finishers and becoming the first American manufacturer to emerge victorious at Le Mans. Le Mans wins followed for the GT40 for three more years, establishing the GT40 as one of the most iconic race cars of all time. Ferrari did not win at Le Mans again for over fifty years.

Amalgam Collection and Alan Thornton

Amalgam is delighted to partner with artist Alan Thornton to introduce a collection of Half Tone Flat Bed prints. Precise and technical in nature, these prints isolate the subject, laying the image onto Alan’s signature metallic background, that focuses the viewer’s eye on the sculptural, organic qualities of iconic cars and planes. Alan’s obsession with form, function and beauty, combined with his enduring passion for all things automotive and mechanical, align perfectly with Amalgam’s mission.

The Process

A reprographic technique that simulates continuous-tone imagery through the use of dots, thus generating a gradient-like effect, Alan's Half Tone artwork brings his traditional approach to screen printing into the contemporary digital world. Applied  directly on to the brushed aluminium composite panels, the ink is then cured by a UV light that bonds it to the surface of the substrate, resulting in a resistant and long-lasting work of art that can even be displayed in outdoor exhibitions. This approach opens up endless ways to add texture and depth by building the image up in multiple layers, very much like the screen-printing process. The finished image is waterproof and very resistant to abrasion, so that there is no need to protect the art behind glass. The piece can be hung without a frame, creating a sharp and minimal presentation of the art floating less than an inch (15 mms) off of the wall. The piece can also be traditionally framed and hung if desired. Alan’s work in this medium brings exceptional precision, intensity, and glamour to the finished art.

Handling Your Print

Half Tone Flat Bed prints are supplied with a subframe attached to the back, enabling immediate ‘float’ effect hanging on the wall. The finished image is waterproof and very resistant to abrasion, so that there is no need to protect the art behind glass.

Half Tone Flat Bed prints of the Ford GT40 are limited to just 25 Side View copies and will printed to order. No frame is included. By purchasing this print, you agree and consent to your information being shared with Alan Thornton for use in the fulfilment of your order.